When 1980s electro and freestyle music from Miami, New York, and Los Angeles touched down in Rio de Janeiro and other Brazilian cities, it ignited a wildfire in the minds of DJs, soundsystem operators, and dancers. In this episode of Rave to the Grave podcast, we go back to the roots of baile funk with Priscilla “House of Pris” Cavalcante. Priscilla grew up in Fortaleza in Northeast Brazil, where as a pre-teen she became hooked on first-wave baile funk. Priscilla now lives in Miami, Florida, where she throws a party called Proibidae and is in the process of collecting and reissuing the lost anthems of 1990s and early 2000s baile funk. We talk about tamborzao, furaçao, pancadao, and hear some of the samples and records that formed the sound.

Kurt Eckes put Milwaukee on the map in the ’90s with his Drop Bass Network parties and Even Furthur festival. In Part Two of this interview, he talks to Rave to the Grave podcast about Satanism and rituals, how to throw a rave, the craziest stories from Furthur, the RAVE Act, the Drop Bass label and Midwest hard acid, plague raves and starting a Kult.

Kurt Eckes of Milwaukee’s Drop Bass Network on American hardcore, acid tests, Midwest raves and being a rave outlaw.

Harry Harrison from Nottingham’s DiY Sound System on the Dawn of UK Rave Culture, Free Parties, and Fusing Anarcho Punk with Acid House